“oh! isto é tão contemporâneo”
MARINA ABRAMOVIC (2008)
Eight Lessons on Emptiness with a Happy End
The five-channel video installation was inspired by the artist’s
experience during her first visit to Laos, which left her with a dual
impression: during the Buddhist celebration that was taking place,
not far from the place of ceremony, children were playing with
lifelike toy guns, just like it is done in Hollywood movies.
In the eight lessons of the video installation, the artist and some
Laotian children wearing soldier uniforms and Chinese toy weapons
act out the typical scenes of war as seen in films and video games
(negotiatios, combat and executions), while in the opening frames,
the untouched nature of Laos, the island, the Spirit tree and the
waterfall appear, and then once again reappear - with an altered
meaning - in the concluding shots of the film. The story ends with
the burning of the toy weapons.
The photo series is entitled “The Family”. The frontally composed
photos - which depict “child soldiers” and, in places, the artist
herself - overturn the representational logic of war photography.
(@ Mélycsarnok | Kunsthalle | Budapest) (02.23 - 04.22 | 2012)
Eight Lessons on Emptiness with a Happy End
The five-channel video installation was inspired by the artist’s
experience during her first visit to Laos, which left her with a dual
impression: during the Buddhist celebration that was taking place,
not far from the place of ceremony, children were playing with
lifelike toy guns, just like it is done in Hollywood movies.
In the eight lessons of the video installation, the artist and some
Laotian children wearing soldier uniforms and Chinese toy weapons
act out the typical scenes of war as seen in films and video games
(negotiatios, combat and executions), while in the opening frames,
the untouched nature of Laos, the island, the Spirit tree and the
waterfall appear, and then once again reappear - with an altered
meaning - in the concluding shots of the film. The story ends with
the burning of the toy weapons.
The photo series is entitled “The Family”. The frontally composed
photos - which depict “child soldiers” and, in places, the artist
herself - overturn the representational logic of war photography.
(@ Mélycsarnok | Kunsthalle | Budapest) (02.23 - 04.22 | 2012)
"ponham muito alto a música"
(THESE NEW PURITANS - WE WANT WAR)
(THESE NEW PURITANS - ATTACK MUSIC)
THESE NEW PURITANS - THREE THOUSAND
(THESE NEW PURITANS - ATTACK MUSIC)
THESE NEW PURITANS - THREE THOUSAND
"ponham muito alto a música"
CORINNE MARCHAND - SANS TOI (MICHEL LEGRAND)
Toutes portes ouvertes
En plein courant d’air
Je suis une maison vide
Sans toi, sans toi.
Comme une île déserte
Que recouvre la mer
Mes plages se devident
Sans toi, sans toi.
Belle, en pure perte
Nue au coeur de l’hiver
Je suis un corps avide
Sans toi, sans toi.
Rongée par le cafard
Morte, au cercueil de verre
Je me couvre de rides
Sans toi, sans toi.
Et si tu viens trop tard
On m’ aura mise en terre
Seule, laide et livide
Sans toi, sans toi,
Sans toi.
4oolhoos (lina&nando 8.9.10)
CLÉO DE 5 À 7 |AGNÈS VARDA (1962)
Toutes portes ouvertes
En plein courant d’air
Je suis une maison vide
Sans toi, sans toi.
Comme une île déserte
Que recouvre la mer
Mes plages se devident
Sans toi, sans toi.
Belle, en pure perte
Nue au coeur de l’hiver
Je suis un corps avide
Sans toi, sans toi.
Rongée par le cafard
Morte, au cercueil de verre
Je me couvre de rides
Sans toi, sans toi.
Et si tu viens trop tard
On m’ aura mise en terre
Seule, laide et livide
Sans toi, sans toi,
Sans toi.
4oolhoos (lina&nando 8.9.10)
CLÉO DE 5 À 7 |AGNÈS VARDA (1962)
estante cem livros com macaco de chapéu: #34
(replay: lina&nando 3.11.10 )
Após ter surripiado por três vezes a compota de despensa,
seu pai admoestou-o. Depois de ter roubado a caixa
do senhor Esteves de mercearia da esquina, seu pai pô-lo na rua.
Voltou passados vinte e dois anos, com chofér fardado.
Era Director Geral das Polícias. Seu pai teve o enfarte.
Contos do Gin-Tonic (Carreirismo)
Mário-Henrique Leiria
“oh! isto é tão contemporâneo” | MÁRIO VIEGAS
(replay: lina&nando 3.11.10 )
Após ter surripiado por três vezes a compota de despensa,
seu pai admoestou-o. Depois de ter roubado a caixa
do senhor Esteves de mercearia da esquina, seu pai pô-lo na rua.
Voltou passados vinte e dois anos, com chofér fardado.
Era Director Geral das Polícias. Seu pai teve o enfarte.
Contos do Gin-Tonic (Carreirismo)
Mário-Henrique Leiria
“oh! isto é tão contemporâneo” | MÁRIO VIEGAS
“oh! isto é tão contemporâneo”
MÁRIO VIEGAS
CARREIRISMO - MÁRIO-HENRIQUE LEIRIA (CONTOS DO GIN TONIC)
(replay: lina&nando 9.2.10)
CARREIRISMO - MÁRIO-HENRIQUE LEIRIA (CONTOS DO GIN TONIC)
(replay: lina&nando 9.2.10)
#7
Segue-me, leitor! Quem te disse que não há no mundo
amor verdadeiro, fiel e eterno? Que cortem a esse mentiroso
a sua língua imunda.
Segue-me, leitor, e segue-me só a mim, e eu te mostrarei
um tal amor!
Margarita e o Mestre
Mikhail Bulgakov
amor verdadeiro, fiel e eterno? Que cortem a esse mentiroso
a sua língua imunda.
Segue-me, leitor, e segue-me só a mim, e eu te mostrarei
um tal amor!
Margarita e o Mestre
Mikhail Bulgakov
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