#43
“Teve uma infância estranha”, disse Austin. “Em última
análise, todas as infâncias o são”, disse Mister DeLuxe.
“Molero diz”, disse Austin, (...)
O Que Diz Molero
Dinis Machado
análise, todas as infâncias o são”, disse Mister DeLuxe.
“Molero diz”, disse Austin, (...)
O Que Diz Molero
Dinis Machado
Sinal de Alarme completa um ano
O homem que dá flores por amor no metro
fecha ciclo com “crime” colectivo
(@publico.pt)
O homem que dá flores por amor no metro
fecha ciclo com “crime” colectivo
(@publico.pt)
O AMOR É
Programa “O amor é”, sobre José e o Sinal de Alarme.
Com Júlio Machado Vaz e Inês Meneses, na Antena 1.
(replay: lina&nando 4.1.12)
Programa “O amor é”, sobre José e o Sinal de Alarme.
Com Júlio Machado Vaz e Inês Meneses, na Antena 1.
(replay: lina&nando 4.1.12)
#36
(Personagens: Garibaldi, director de circo; Neta;
Malabarista; Domador; Palhaço - Roullote de Garibaldi)
Malabarista
A vida consiste
em ir eliminando dúvidas
A Força do Hábito (seguido de Simplesmente Complicado)
Thomas Bernhard
Malabarista; Domador; Palhaço - Roullote de Garibaldi)
Malabarista
A vida consiste
em ir eliminando dúvidas
A Força do Hábito (seguido de Simplesmente Complicado)
Thomas Bernhard
chinoiseries
Berliner Fernsehturm (em português antena de televisão de Berlim).
Tudo em plástico branco com uma pequena bola de espelhos. (22 cm.)
Semicerrando os olhos e olhando contra-picado-contra-luz estamos
em Alexanderplatz.
Tudo em plástico branco com uma pequena bola de espelhos. (22 cm.)
Semicerrando os olhos e olhando contra-picado-contra-luz estamos
em Alexanderplatz.
“oh! isto é tão contemporâneo”
MAN RAY (Duchamp’s Large Glass with Dust Notes)
DUST BREEDING (1920)
One of Duchamp’s close friends and a member of the New York
Dada scene, the American photographer and painter
Man Ray (1890–1976) was also one of Duchamp’s collaborators.
His photograph Dust Breeding (Duchamp’s Large Glass
with Dust Notes) from 1920 is a document of The Large Glass
after it had collected a year’s worth of dust while Duchamp
was in New York. The photograph was taken with a two-hour-long
exposure that beautifully captures the complex texture
and diversity of materials that lay atop the glass surface.
Dust Breeding marks a pivotal phase in the development
of Duchamp’s masterpiece. After the photograph was taken,
Duchamp wiped The Large Glass almost entirely clean,
leaving a section of the cones covered with dust, which
he permanently affixed to the glass plate with
a diluted cement. (@ www.metmuseum.org)
DUST BREEDING (1920)
One of Duchamp’s close friends and a member of the New York
Dada scene, the American photographer and painter
Man Ray (1890–1976) was also one of Duchamp’s collaborators.
His photograph Dust Breeding (Duchamp’s Large Glass
with Dust Notes) from 1920 is a document of The Large Glass
after it had collected a year’s worth of dust while Duchamp
was in New York. The photograph was taken with a two-hour-long
exposure that beautifully captures the complex texture
and diversity of materials that lay atop the glass surface.
Dust Breeding marks a pivotal phase in the development
of Duchamp’s masterpiece. After the photograph was taken,
Duchamp wiped The Large Glass almost entirely clean,
leaving a section of the cones covered with dust, which
he permanently affixed to the glass plate with
a diluted cement. (@ www.metmuseum.org)
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