FOTOGRAFIA SEM DATA
PRODUZIDA DURANTE A ACTIVIDADE DO ESTÚDIO
HORÁCIO NOVAIS (1930-1980)
BIBLIOTECA DE ARTE
FUNDAÇÃO CALOUSTE GULBENKIAN
"oh! isto é tão contemporâneo"
MOBILIÁRIO, PORTUGAL - SALA DE ESTAR
FOTOGRAFIA SEM DATA
PRODUZIDA DURANTE A ACTIVIDADE DO ESTÚDIO
HORÁCIO NOVAIS (1930-1980)
BIBLIOTECA DE ARTE
FUNDAÇÃO CALOUSTE GULBENKIAN
FOTOGRAFIA SEM DATA
PRODUZIDA DURANTE A ACTIVIDADE DO ESTÚDIO
HORÁCIO NOVAIS (1930-1980)
BIBLIOTECA DE ARTE
FUNDAÇÃO CALOUSTE GULBENKIAN
#71
THE FALL
There was a man who found two leaves and came indoors
holding them out saying to his parents that he was a tree.
To which they said then go into the yard and do not grow in
the living-room as your roots may ruin the carpet.
He said I was fooling I am not a tree and he dropped his
leaves.
But his parents said look it is fall.
Russell Edson
The Tunnel: Selected Poems
[ A PERFORMANCE AT HOG THEATER ]
[ THE POSITION ]
There was a man who found two leaves and came indoors
holding them out saying to his parents that he was a tree.
To which they said then go into the yard and do not grow in
the living-room as your roots may ruin the carpet.
He said I was fooling I am not a tree and he dropped his
leaves.
But his parents said look it is fall.
Russell Edson
The Tunnel: Selected Poems
[ A PERFORMANCE AT HOG THEATER ]
[ THE POSITION ]
"oh! isto é tão contemporâneo"
ESTABELECIMENTOS
JERÓNIMO MARTINS & FILHO, PORTUGAL
INTERIORES - LOJA
FOTOGRAFIA SEM DATA
PRODUZIDA DURANTE A ACTIVIDADE DO ESTÚDIO
HORÁCIO NOVAIS (1930-1980)
BIBLIOTECA DE ARTE
FUNDAÇÃO CALOUSTE GULBENKIAN
JERÓNIMO MARTINS & FILHO, PORTUGAL
INTERIORES - LOJA
FOTOGRAFIA SEM DATA
PRODUZIDA DURANTE A ACTIVIDADE DO ESTÚDIO
HORÁCIO NOVAIS (1930-1980)
BIBLIOTECA DE ARTE
FUNDAÇÃO CALOUSTE GULBENKIAN
THE POSITION
They let me in. I went right up to the nursery and climbed
into the crib and assumed the famous fetal position.
They didn’t know what to make of it. They stood by the
crib looking down at me.
They were young. This was their house. Instead of an infant,
a grown man is in the nursery.
Of course they hadn’t planned on anything like this. It never
occurred to them that anything like this could happen.
I had made my move. All I could do was to keep the position
pretending to sleep...
Russell Edson
The Tunnel: Selected Poems
[ A PERFORMANCE AT HOG THEATER ]
They let me in. I went right up to the nursery and climbed
into the crib and assumed the famous fetal position.
They didn’t know what to make of it. They stood by the
crib looking down at me.
They were young. This was their house. Instead of an infant,
a grown man is in the nursery.
Of course they hadn’t planned on anything like this. It never
occurred to them that anything like this could happen.
I had made my move. All I could do was to keep the position
pretending to sleep...
Russell Edson
The Tunnel: Selected Poems
[ A PERFORMANCE AT HOG THEATER ]
A PERFORMANCE AT HOG THEATER
There was once a hog theater where hogs performed
as men, has men been hogs.
One hog said, I will be a hog in a field which has found
a mouse which is being eaten by the same hog which
is in the field and which has found the mouse, which
I am performing as my comtribution to the performer’s
art.
Oh let’s just be hogs, cried an old hog.
And so the hogs streamed out of the theater crying,
only hogs, only hogs...
Russell Edson
The Tunnel: Selected Poems
There was once a hog theater where hogs performed
as men, has men been hogs.
One hog said, I will be a hog in a field which has found
a mouse which is being eaten by the same hog which
is in the field and which has found the mouse, which
I am performing as my comtribution to the performer’s
art.
Oh let’s just be hogs, cried an old hog.
And so the hogs streamed out of the theater crying,
only hogs, only hogs...
Russell Edson
The Tunnel: Selected Poems
[ do ut des (replay); ou em janeiro: janeiras ]
12 de Janeiro
Na tragédia grega não há maus. Não se estabelece
uma responsabilidade, constata-se um facto - um destino.
Ofício de viver (1946)
Cesare Pavese
12 de Janeiro
Na tragédia grega não há maus. Não se estabelece
uma responsabilidade, constata-se um facto - um destino.
Ofício de viver (1946)
Cesare Pavese
[ do ut des (replay); ou em janeiro: janeiras ]
17 de Janeiro
...
Não há absolutamente ninguém que faça um sacrifício sem
esperar uma compensação. É tudo uma questão de mercado.
...
Ofício de viver (1938)
Cesare Pavese
17 de Janeiro
...
Não há absolutamente ninguém que faça um sacrifício sem
esperar uma compensação. É tudo uma questão de mercado.
...
Ofício de viver (1938)
Cesare Pavese
"oh! isto é tão contemporâneo"
HENRI DE TOULOUSE-LAUTREC
DANS LE LIT (1893)
DANS LE LIT (1893)
DANS LE LIT, LE BAISER (1892)
DANS LE LIT (1893)
DANS LE LIT (1893)
DANS LE LIT, LE BAISER (1892)
[...]
“I just don’t get why Muslims hate Charlie Brown so much,”
she proclaimed,”It’s good wholesome, family entertainment.
I would think religious conservatives would enjoy that kind
of thing."
[...]
“I guess maybe because he was always playing football
and baseball and celebrating Christmas?” Palin continued,
“Maybe it’s just too American for them? I don’t get it.”
[...]
Sarah Palin [ @ dailycurrant.com ]
“I just don’t get why Muslims hate Charlie Brown so much,”
she proclaimed,”It’s good wholesome, family entertainment.
I would think religious conservatives would enjoy that kind
of thing."
[...]
“I guess maybe because he was always playing football
and baseball and celebrating Christmas?” Palin continued,
“Maybe it’s just too American for them? I don’t get it.”
[...]
Sarah Palin [ @ dailycurrant.com ]
4oolhoos
SONO DE INVERNO (WINTER SLEEP)
NURI BILGE CEYLAN (2014)
[ SCHUBERT - PIANO SONATA IN A MAJOR, D. 959
SECOND MOVEMENT (ANDANTINO) - ALFRED BRENDEL ]
NURI BILGE CEYLAN (2014)
[ SCHUBERT - PIANO SONATA IN A MAJOR, D. 959
SECOND MOVEMENT (ANDANTINO) - ALFRED BRENDEL ]
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